The idea and the script of Bad Lt. (p.16)
„After the critical success of the film (King of New York), Ferrara
was expected to follow it up with a big-budget re-run of similar themes,
or to take on a fat pay cheque directing job. Instead, he shot his tour
de force, independent film masterpiece, Bad Lieutenant in a mere 20 days
on a minuscule budget that Kent Jones claims in the „Hard Press" to have
been approximately $1,000,000. An initial cheque for $40,000 from Hollywood
producer Edward R. Pressman got the film off the ground, as Ferrara explained
to Sight and Sound: „I don´t know what possessed him to give me that
money... Nicky St. John didn´t want to write it for reasons of his
own. So Zoe Lund, star of Ms.45 came in, we worked together. She wrote
it very quickly, at least the first draft and we needed a draft in two
weeks." Ferrara told Empire in typically dry fashion how the writing collaboration
worked out: „I´d tell her a bunch of shit and she´d make sense
of it."
Ferrara had already conceived the idea for the film from two sources.
The first was a Bob Dylan-inspired folk-blues song which he had written
called „The Bad Lieutenant". The second, which gave the song its subject
matter, was a news story that dated back to 1982 about a nun who was raped
in Spanish Harlem. Although Ferrara had been as shocked as any other New
Yorker by the story, he also wondered why the rape of a nun was elevated
to priority police and media status when hundreds of other rapes passed
by every week with barely a mention. He combined the story and his reaction
to it with another idea about a police lieutenant with every vice
known to mankind. Ferrara turned this recipe of ideas into the song „Bad
Lieutenant"
(which plays out the alternate cut of the film after Schoolly D´s
track „Signifying Rapper" had to be replaced due to legal problems) which,
in Ferrara´s words, was about a lieutenant with „a wife and five
kids and a house by the park" who has a mistress, a drug habit, is completely
corrupt and is investigating the rape of a nun. He would later give Film
Ireland a different theory on where the Lieutenant´s character sprang
from: „The Bad Lieutenant emerged from my imagination and I´m stuck
with him. You know people who have all these different vices and you think,
„Man, what if you had one guy who had every one of ´em, and then
if he was a cop on top of that, so he has a gun and a badge to go with
his womanising and alcoholism and everything else?" I thought that´d
make a pretty funny movie. Then we hired Harvey Keitel and out went the
humour."
The end of the Bad Lieutenand-analysis (p.143-144)
„It is an acutely moral film, from the title, which tells the viewer
straight from the word go that the main character is thoroughly reprehensible,
to the nun´s act of forgiveness and the religious imagery that constantly
stalks the Lieutenant like his conscience unravelling. Shot in real time,
the film gives the viewer no excape, no breaks in the narrative to provide
light relief. Apart from the nun´s rape and the interludes with Zoe
and the nun, the Lieutenant is constantly in our faces, rubbing our noses
in his degradation...
„the films´s use of space, sound, editing and pacing is as unusal
as the definition of its central character." The Lieutenant´s
personality is reflected back in the way in which Ferrara presents the
film..."
„Bad Lieutenant closes with a beautiful, moral ending, loaded with issues
of redemption and forgiveness, as the Lieutenant sacrifices himself to
free other sinners. The nun points out to him that Jesus died for his sins
just before he sees Christ. The Lieutenant dies for the rapists´
sins, his sins washing theirs clean. It is this moral leap that he struggled
with, and it is this same issue that we as viewers struggle with after
the film has finished. The Lieutenant constantly asks himself (and the
nun and rapists) how the nun could forgive such an act. When the film ends,
we also ask ourselves how
he could forgive the rapists and sacrifice himself to save them. The
film is an essay on the complexities of Christian faith."
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